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Ana Hernandez and Jeremy Toussaint-Baptiste, With a Hammer
Alison K. Young, ArtReview, March 5, 2024 -
Material Qualities of Sound: Jeremy Toussaint-Baptiste Interviewed by Jareh Das
Bomb, June 7, 2022 -
In Conversation Jeremy Toussaint-Baptiste: Bass is Touch
Nan Collymore, Contemporary &, February 22, 2022 -
"Set it Off" exhibition engages visitors with a sonic experience
Safia Abdulahi, The Commonwealth Times, January 19, 2022 -
The Virginia museum spotlighting overlooked histories and perspectives
Kendra Walker, The Art Newspaper, January 5, 2022 -
The Institute for Contemporary Art at VCU Presents Jeremy Toussaint-Baptiste: Set It Off
Institute for Contemporary Art, Virginia Commonwealth University, Hyperallergic, November 13, 2021 -
Jeremy Toussaint-Baptiste on Malevich's Black Square and the limits of visibility
ARTFORUM, August 31, 2020 -
"A Language for Intimacy"
Natasha Marie Llorens, ART AGENDA REVIEWS, July 23, 2020 -
THE SOUNDS OF QUARANTINE: HOW EXPERIMENTAL MUSICIANS ARE OVERCOMING DOMESTIC ISOLATION
Walker Downey, Art in America, June 24, 2020 -
At MoMA, a Musical Pioneer's Rainforest Squeaks and Chirrups
Critic's Notebook, The New York Times, October 29, 2019 -
JEREMY TOUSSAINT-BAPTISTE IN CONVERSATION
Nicole Kaack, SOUND AMERICAN, May 15, 2019 -
'What Remains' Responds To The Surveillance Of Blackness
Rosalind Bevan, wbur, April 11, 2019 -
Jeremy Toussaint-Baptiste, Pendulum Music: An Arrangement for Four Performers and Geodesic Dome
Museum of Modern Art, October 21, 2018 -
'Dappling!' Demonstrates Gesture as Communication and Dance
Brian Seibert, The New York Times, July 31, 2015